|Tiny Persian vase with striped blooms.|
We know that the Persian embroidery existed from the ancient times and at least from the time of the Sassanids. Numerous designs are visible on the dresses of the personages on the rock-sculptures and silverware of that period, and have been classified by Professor Ernst Herzfeld. Also the patterns on the coat of Chosroes II at Taq-e Bostan are in such high relief that they may represent embroidery. Roundels, confronted animals and other familiar motives of Sassanid art were doubtless employed. It is probable that the famous Garden Carpet of Chosroes II was a piece of embroidery.
The Persian embroideries we possess of the sixteenth and seventeenth centuries are almost exclusively divan-coverings or ceremonial cloth for present-trays, while in the eighteenth century and later we have the addition of rugs for the bathing-rooms, prayer-mats, and women's embroidered trousers, known as 'naghshe'.
The earlier embroideries of Iran are almost all of a type in which the entire ground is covered by the design, while the reverse is true, in the main, of the later pieces, in which the background of one plain color is made to play its part equally with the varied silks of the needlework illustrated below. The earlier pieces are almost all closely allied in design to one or other of the many types of carpets. They are worked chiefly in darning-stitch on cotton or loosely woven linen, while occasionally examples in cross- or tent-stitch are met with. It is perhaps reasonable to assume that the more important class of work, that of carpet-weaving, supplied the original design and that the embroiderer adopted it from a type familiar to her. Also it must be remembered that the carpet-weaving was mainly done by men, embroidery by women, so that members of the same family worked at both trades.
The Samples Posted Here are Over 100 Years Old
|Persian sample include motifs like: flowers, plant-life, fruits, and tea pots.|
|Very fine linens, wools and silks are embroidered into the fabrics and sometimes precious gold and silver thread is used.|
|Very detailed, select samples from the Maison Sedille collections.|
|A close-up view of tiny perfect stitches. Trees in a garden, Left. Top Right, clover leaf. Next Below,|
pink tulips. Center, yellow tulips. Bottom Right, singular flower in a vase.